Joseph Conrad (Polish pronunciation: [ˈjuz̪ɛf ˌkɔn.rad]; born Józef Teodor Konrad Korzeniowski; 3 December 1857 – 3 August 1924) was a Polish-British writer[1] regarded as one of the greatest novelists to write in the English language.[2] He joined the British merchant marine in 1878, and was granted British citizenship in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 1] He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe.[note 2]
Conrad is considered an early modernist, though his works still contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced many authors, including F. Scott Fitzgerald,[5] William Faulkner,[5] Ernest Hemingway,[6] André Malraux,[7] George Orwell,[8]:254 Graham Greene,[5] Gabriel García Márquez,[5]John le Carré,[5] V. S. Naipaul,[5] Philip Roth,[9] J. M. Coetzee,[5] and Salman Rushdie.[10] Many films have been adapted from, or inspired by, Conrad's works.
Writing in the heyday of the British Empire, Conrad drew on, among other things, his native Poland's national experiences[note 3] and his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world—including imperialism and colonialism—and that profoundly explore the human psyche.
Heart of Darkness (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Charles Marlow.[1] Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness.[2]
Central to Conrad's work is the idea that there is little difference between so-called civilised people and those described as savages; Heart of Darkness raises questions about imperialism and racism.[3]
Originally issued as a three-part serial story in Blackwood's Magazine to celebrate the thousandth edition of the magazine,[4] Heart of Darkness has been widely re-published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness sixty-seventh on their list of the hundred best novels in English of the twentieth century.]
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